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This included creating diagrams showing possible blast radiuses and potential waves of destruction from a variety of locations in space and from the surface.
Barry Howell: We worked closely with ILM, including Visual Effects Supervisors John Knoll and Mohen Leo, to create content for the LED screens.
five times and deconstructed the storyline, the characters and the visual effects, it’s fun to also consider how some of the iconic shots came to be.
Of course, ILM and Lucasfilm’s art department crafted many of the incredible concepts, but some of the first shot designs were done by the previs team at The Third Floor.
It's nice to just pick up my phone and be able to connect to another person anywhere in the world and just talk.